Unit 12: Macbeth - Music Cues
Music Cues
Act 1:
Act and
Scene
|
Physical/Verbal
Cue
|
Action
|
Musician
|
Prologue
|
Before
anyone speaks and is on stage
|
Empire
– Of Monsters and Men
|
Everyone
|
Act
1 Scene 1
|
Witches
enters
|
Thousand
Eyes – Of Monsters and Men
|
Chosen
Singers
|
Act
1 Scene 2
|
Mairi
enters
|
Ceremonial
Drumming Starts
|
Dominic
Lelean
|
Act
1 Scene 2
|
Before
Mairi’s line “What bloody person is that?”
|
Change
to Slow drumming starts
|
Dominic
Lelean
|
Act
1 Scene 2
|
“What
she hath lost noble Lady Beth hath won”
|
Stop
Drumming
|
Dominic
Lelean
|
Act
1 Scene 3a
|
Witches
enter
|
Thousand
Eyes – Of Monsters and Men, Slow drumming and harp
|
Chosen
Singers, Dominic Lelean and Danielle
|
Act
1 Scene 3a
|
End
of scene “…The charm’s wound up!”
|
Keep
singing
|
Chosen
Singers
|
Act
1 Scene 3b
|
Enter
Beth and Banquo
|
Slow
Drumming Starts and harp with Singing Quietly in background
|
Dominic
Lelean, Danielle, and Chosen Singers
|
Act
1 Scene 3b
|
“Such
a prophetic greeting?…”
|
Singing,
harp and Slow drumming Stops
|
Dominic
Lelean and Chosen Singers
|
Act
1 Scene 3b
|
Witches
Vanish – When they have gone completely and stage is quiet
|
Slow
Drumming Starts
|
Dominic
Lelean
|
Act
1 Scene 3b
|
Beth’s
Line - “Till then, enough, Come, friends”
|
Slow
Drumming Stops
|
Dominic
Lelean
|
Act
1 Scene 4
|
Enter
Mairi, Malina, Donalda, Lennox
|
Ceremonial
Drumming Starts for entrance
|
Dominic
Lelean
|
Act
1 Scene 4
|
Before
Mairi’s Line “Is execution done on Cawdor?”
|
Change
to Slow Drumming Starts
|
Dominic
Lelean
|
Act
1 Scene 4
|
All
actors exit stage
|
Slow
Drumming Stops
|
Dominic
Lelean
|
Act
1 Scene 5
|
Lady
Bea enters reading a letter
|
Harp
starts (Eerie)
|
Danielle
|
Act
1 Scene 5
|
Lady
Bea’s Line “…Fate and metaphysical aid doth seem to have thee crowned…”
|
Harp
Stops (Eerie)
|
Danielle
|
Act
1 Scene 5
|
Enter
Messenger
|
Slow
Drumming Starts
|
Dominic
Lelean
|
Act
1 Scene 5
|
Lady
Bea’s Line “…Leave all the rest to me”
|
Slow
Drumming Stops
|
Dominic
Lelean
|
Act 1 Scene 6
|
Enter
Mairi, Malina, Donalda, Banquo, Lennox, Morag, Rose, Agnes
|
Ceremonial
Drumming Starts for entrance
|
Dominic
Lelean
|
Act
1 Scene 6
|
Before
Mairi’s Line “This Castle hath a pleasant seat…”
|
Change
to Slow Drumming
|
Dominic
Lelean
|
Act
1 Scene 6
|
Lady
Bea enters
|
Add
in Harp (eerie)
|
Danielle
|
Act
1 1 Scene 6
|
End
of scene
|
Slow
Drumming Stops and Harp gets quieter
|
Dominic
Lelean and Danielle
|
Act
1 Scene 7
|
Beth’s
Line “If it were done when ‘tis done…”
|
Harp
continues quietly
|
Danielle
|
Act
1 Scene 7
|
Beth’s
Line “We will proceed no further in this business…”
|
Harp
builds getting louder, adding in Slow Drumming quiet and building
|
Danielle
and Dominic Lelean
|
Act
1 Scene 7
|
Lady
Bea’s Line
|
Harp
is loud and drumming is increasing volume and pace
|
Danielle
and Dominic Lelean
|
Act
2
Act and
Scene
|
Physical/Verbal
Cue
|
Action
|
Musician
|
Act
2 Scene 1
|
Exit
Banquo and Fleance, Beth is alone and ‘invisible’ ensemble enter with daggers
|
Drumming
Starts Slow and quiet and increases in pace and volume gradually
|
Dominic
Lelean
|
Act
2 Scene 1
|
Beth’s
Line “…Words to the heat of deeds too cold breath gives…” (Bell rings)
|
Harp
strums to indicate bell rings and stop after that
|
Danielle
|
Act
2 Scene 1
|
Beth’s
Line “ …that summons thee to heaven or to hell.”
|
Loud
Drumming Stops
|
Dominic
Lelean
|
Act
2 Scene 2
|
Enter
Lady Bea
|
Timpani
Drums
|
Dominic
Lelean
|
Act
2 Scene 2
|
End
of Scene
|
Stop
Timpani Drums
|
Dominic
Lelean
|
Act
2 Scene 3a
|
Stage
Directions – shows knocking
|
Play
drum corresponding to stage directions when knocking is needed
|
Dominic
Lelean
|
Act
2 Scene 3b
|
Enter
Morag and Lennox
|
Slow
quiet drumming
|
Dominic
Lelean
|
Act
2 Scene 3b
|
Morag’s
Line “…Ring the Bell”
|
Harp
strums indicating a bell, Lady Bea enters – Drumming and Harp
|
Danielle
and Dominic Lelean
|
Act
2 Scene 3b
|
Beth’s
Line “…Here lay Mairi…”
|
Harp
and Drumming builds
|
Danielle
and Dominic Lelean
|
Act
2 Scene 3b
|
End
of Scene
|
Harp
and Drumming stops
|
Danielle
and Dominic Lelean
|
Act
3
Act and
Scene
|
Physical/Verbal
Cue
|
Action
|
Musician
|
Act
3 Scene 1
|
Enter
Banquo
|
Harp
Plays
|
Danielle
|
Act
3 Scene 1
|
Porter’s
Line “They are at the palace gate.”
|
Slow
Drumming Starts with Harp continuing
|
Dominic
Lelean and Danielle
|
Act
3 Scene 1
|
Before
First Murderer’s Line “It was, so please your highness.”
|
Harp
Stops, Drumming continues and builds in Volume
|
Dominic
Lelean and Danielle
|
Act
3 Scene 1
|
Exit
Murderer’s
|
Drumming
Stops
|
Dominic
Lelean
|
Act
3 Scene 2
|
Enter
Lady Bea and Servant
|
Harp
Starts (Eerie)
|
Danielle
|
Act
3 Scene 3
|
Enter
Three Murderer’s
|
Drumming
Starts Loud
|
Dominic
Lelean
|
Act
3 Scene 3
|
Banquo
Dies
|
Drumming
Stops Abruptly
|
Dominic
Lelean
|
Act
3 Scene 3
|
Fleance
Escapes
|
Harp
Starts (Eerie)
|
Danielle
|
Act
3 Scene 4
|
Banquet
Starts
|
Harp
and Drum (Ceremonial sounds)
|
Danielle
and Dominic Lelean
|
Act
3 Scene 4
|
The
Ghost of Banquo Appears
|
Drumming
starts slow and builds and Harp continues
|
Dominic
Lelean and Danielle
|
Act
3 Scene 5
|
Witches
enter meeting Hecate (Lady Bea)
|
Thousand
Eyes – Of Monsters and Men and Harp in background (Eerie)
|
Chosen
Singers and Danielle
|
Act
3 Scene 6
|
The
palace scene with Lennox and Rose
|
Quiet
drumming in background
|
Dominic
Lelean
|
Act
4
Act and
Scene
|
Physical/Verbal
Cue
|
Action
|
Musician
|
Act
4 Scene 1
|
Three
Witches enter
|
Thousand
Eyes – Of Monsters and Men
|
Chosen
Singers
|
Act
4 Scene 1
|
Hecate’s
Line “I commend your pains; and every one shall share the gains…”
|
Harp
strums and Drum once
|
Danielle
and Dominic Lelean
|
Act
4 Scene 1b
|
Lennox
enters
|
Drumming
Quietly
|
Dominic
Lelean
|
Act
4 Scene 2
|
Lady
Duffy, her daughter and Rose enter
|
Drumming
Quietly but Gradually Builds creating tension
|
Dominic
Lelean
|
Act
4 Scene 2
|
Murderer
is about to kill Finn
|
Drumming
is Loud and fast paced
|
Dominic
Lelean
|
Act
4 Scene 2
|
Murderer
Kills Finn
|
Drumming
Stops Abruptly
|
Dominic
Lelean
|
Act
4 Scene 2
|
Before
Finn’s Line “ Mother Run Away…” and Murderer’s run after Lady Duffy and two
children
|
Drumming
begins again Loud and fast paced, Harp joins in (Eerie)
|
Dominic
Lelean and Danielle
|
Act
4 Scene 3
|
Enter
Malina and Morag
|
Drumming
starts slow and loud
|
Dominic
Lelean
|
Act
4 Scene 3
|
End
of Scene
|
Drumming
fades out
|
Dominic
Lelean
|
Act
5
Act and
Scene
|
Physical/Verbal
Cue
|
Action
|
Musician
|
Act
5 Scene 1
|
Enter
Lady Bea with Candle
|
Harp
(Eerie)
|
Danielle
|
Act
5 Scene 1
|
Before
Lady Bea’s Line “Here’s the smell of blood…”
|
Harp
(Eerie) continues and Drum joins by fading in
|
Danielle
and Dominic Lelean
|
Act
5 Scene 2
|
Physical
Theatre War Scene
|
Black
Sabbath – Iron Man
|
Dominic
Lelean
|
Act
5 Scene 2
|
End
of Physical Theatre Scene
|
Stop
Playing
|
Dominic
Lelean
|
Act
5 Scene 3
|
Enter
Beth, Doctor and Attendants
|
Slow
Drumming fades in
|
Dominic
Lelean
|
Act
5 Scene 4
|
Enter
Malina, Morag and Ensemble of Soldiers
|
Slow
Drumming Continues
|
Dominic
Lelean
|
Act
5 Scene 5
|
Enter
Beth, Seyton and Soldiers
|
Drumming
increases in volume staying at the slow pace
|
Dominic
Lelean
|
Act
5 Scene 6
|
Enter
Malina, Siward, Moraga and their Army
|
Drumming
stays the same
|
Dominic
Lelean
|
Act
5 Scene 7
|
Enter
Beth
|
Drumming
stays the same
|
Dominic
Lelean
|
Act
5 Scene 8
|
Enter
Morag
|
Drumming
stays the same
|
Dominic
Lelean
|
Act
5 Scene 8
|
Re-enter
Morag with Beth’s head
|
Drumming
Stops
|
Dominic
Lelean
|
Act
5 Scene 8
|
After
Malina’s Line “…our thanks and we invite you to see us crowned.”
|
One
Last beat on drum and one last strum on harp
|
Dominic
Lelean and Danielle
|
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